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  • Narrative
    Narrative

    Human beings have constantly told stories, presented events and placed the world into narrative form.This activity suggests a very basic way of looking at the world, yet, this book argues, even the most seemingly simple of stories is embedded in a complex network of relations.Paul Cobley traces these relations, considering the ways in which humans have employed narrative over the centuries to ‘re-present’ time, space and identity. This second, revised and fully updated edition of the successful guidebook to narrative covers a range of narrative forms and their historical development from early oral and literate forms through to contemporary digital media, encompassing Hellenic and Hebraic foundations, the rise of the novel, realist representations, narratives of imperialism, modernism, cinema, postmodernism and new technologies.A final chapter reviews the way that narrative theory in the last decade has re-orientated definitions of narrative. Written in a clear, engaging style and featuring an extensive glossary of terms, this is the essential introduction to the history and theory of narrative.

    Price: 19.99 £ | Shipping*: 3.99 £
  • Narrative Ontology
    Narrative Ontology

    This book is a critical inquiry into three ideas that have been at the heart of philosophical reflection since time immemorial: freedom, God and immortality.Their inherent connection has disappeared from our thought.We barely pay attention to the latter two ideas, and the notion of freedom is used so loosely today that it has become vacuous.Axel Hutter’s book seeks to remind philosophy of its distinct task: only in understanding itself as human self-knowledge that articulates itself in these three ideas will philosophy do justice to its own concept. In developing this line of argument, Hutter finds an ally in Thomas Mann, whose novel Joseph and His Brothers has more to say about freedom, God and immortality than most contemporary philosophy does.Through his reading of Mann’s novel, Hutter explores these three ideas in a distinctive way.He brings out the intimate connection between philosophical self-knowledge and narrative form: Mann’s novel gives expression to the depth of human self-understanding and, thus, demands a genuinely philosophical interpretation.In turn, philosophical concepts are freed from abstractness by resonating with the novel’s motifs and its rich language. Narrative Ontology is both a highly original work of philosophy and a vigorous defence of humanism.It brings together philosophy and literature in a creative way, it will be of great interest to students and scholars in philosophy, literature and the humanities in general.

    Price: 18.99 £ | Shipping*: 3.99 £
  • Narrative CD
    Narrative CD

    Narrative CD

    Price: 10 £ | Shipping*: £
  • Narrative Sociology
    Narrative Sociology

    Narrative Sociology defines classics, identifies exemplars of narrative analysis, and delineates a field in the making.

    Price: 39.50 £ | Shipping*: 0.00 £
  • What is the difference between narrative form and narrative perspective?

    Narrative form refers to the structure and style in which a story is presented, including elements such as plot, setting, and character development. Narrative perspective, on the other hand, refers to the point of view from which the story is told. This can include first person, second person, or third person perspectives, and can also involve the use of unreliable or omniscient narrators. In essence, narrative form encompasses the overall structure and organization of the story, while narrative perspective focuses on the specific viewpoint from which the story is being told.

  • What are narrative threads?

    Narrative threads are the different storylines or plot elements that run through a piece of writing or a work of art. These threads help to weave together the overall narrative and create a cohesive and engaging story for the audience. By following these threads, readers or viewers can track the development of characters, conflicts, and themes throughout the work. Narrative threads can intersect, diverge, or come together to create a complex and multi-layered storytelling experience.

  • What is the difference between a frame narrative and an embedded narrative?

    A frame narrative is a story within a story where an overarching narrative serves as a frame for one or more smaller stories. The frame narrative provides context and structure for the embedded narratives. On the other hand, an embedded narrative is a smaller story that is contained within a larger narrative. It is usually used to provide additional depth or background information to the main story.

  • What is the narrative style and narrative perspective in "Holes" by Louis Sachar?

    The narrative style in "Holes" by Louis Sachar is straightforward and engaging, with a focus on the present events and the characters' experiences. The story is told in a linear fashion, with a clear cause-and-effect structure that keeps the reader engaged. The narrative perspective is third person omniscient, allowing the reader to gain insight into the thoughts and feelings of multiple characters, which adds depth to the storytelling. This perspective also allows the reader to see how the different characters' stories intertwine and impact each other.

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  • Narrative Thread : Conversations on Fashion Collections
    Narrative Thread : Conversations on Fashion Collections

    “I adored this book and can’t recommend it highly enough” – Cathy Horyn"Beautifully executed” – Norma Kamali“A visual feast” – Giles Deacon“Entertaining, thought-provoking, and serious.Read it and learn.” – Colin McDowell"Clothes from our past shape who we are, and who we will be.Why do we hold on to certain garments and what do they tell us and others about our lives?"Mark C.O’Flaherty asks 14 individuals who work with or use clothes in a unique way: how has fashion created something significant in your life?Through fascinating conversations, and photoshoots of their private collections, in New York, London and Milan, he constructs a portrait of each person through their intimate relationships with fashion, featuring The Idiosyncratic Fashionistas, Charlie Casely-Hayford, John Matheson (McQueen Vault), Sandy Powell, Stephen Jones, Carla Sozzani, Winn Austin, Carmen Haid, Susanne Bartsch, Karlo Steel, Karim Rashid, Steven Philip, and Desmond is Amazing. How have these people used fashion as a vessel for memory or identity to develop their own narratives, and what does our relationship with clothing say about its changing nature as a commodity?With a foreword by influential fashion tastemaker Amanda Harlech, and opening conversations with three of fashion’s most respected scholars, Valerie Steele, Andre Walker and Claire Wilcox, Narrative Thread is an eye-opening resource for our understanding of fashion’s past and present – and its continuing importance in our lives.

    Price: 24.99 £ | Shipping*: 3.99 £
  • Queer Men's Narrative
    Queer Men's Narrative

    Queer Men's Narrative demonstrates that at the heart of it, queer men and straight men are very much alike in how they respond to society's pressure and definition of what a man should be.The selected narratives show some queer men, like their straight counterparts, hold on to sexism, toxic masculinity and patriarchy as a way to justify their masculinity within a society that prescribes such a role and expectations.Queer Men's Narrative challenges society at large to re-think its idea of what being a man entails and what this means for society itself and how such concepts limits men and women's freedom to be, to live and to understand each other.

    Price: 12.99 £ | Shipping*: 3.99 £
  • Narrative Discourse Revisited
    Narrative Discourse Revisited

    In Narrative Discourse Revisited Genette both answers critics of the earlier work and provides a better-defined, richer, and more systematic view of narrative form and functioning.This book not only clarifies some of the more complex issues in the study of narrative but also provides a vivid tableau of the development of narratology over the decade between the two works.

    Price: 22.99 £ | Shipping*: 3.99 £
  • Narrative in Performance
    Narrative in Performance

    A far-reaching and engaging overview of the role of narrative in dance and theatre performance, bringing together chapters written by an international range of scholars and subsequently creating a critical dialogue for approaching this fundamental topic within performance studies.Drawing on historical and contemporary examples of a variety of different performance genres, the book will provide a method for exploring the context of a particular form or artist and enhance students’ ability to critically reflect on performance.

    Price: 28.99 £ | Shipping*: 0.00 £
  • What narrative perspective is this?

    This is a first-person narrative perspective, as the narrator is telling the story from their own point of view using "I" and "me." This allows the reader to experience the events and emotions of the story through the narrator's personal lens, providing a more intimate and subjective understanding of the events.

  • Which narrative perspective is this?

    This is written in the first-person narrative perspective, as the narrator uses pronouns like "I" and "my" to tell the story from their own point of view. This perspective allows the reader to directly experience the thoughts, feelings, and experiences of the narrator, creating a more intimate and personal connection with the story.

  • What is a narrative frame?

    A narrative frame is a literary technique used to structure a story within a larger context. It involves the use of a framing device, such as a prologue, epilogue, or a story within a story, to provide a framework for the main narrative. This technique allows the author to set the stage, provide background information, or create a sense of distance between the reader and the main story. By using a narrative frame, the author can add depth and complexity to the storytelling, and engage the reader in a more immersive and layered experience.

  • What is a narrative victim?

    A narrative victim is a character in a story who experiences harm, suffering, or injustice at the hands of another character or force. They are often portrayed as helpless or vulnerable, and their suffering is used to evoke sympathy or drive the plot forward. Narrative victims can serve as a catalyst for change or growth in other characters, or as a means of exploring themes such as power dynamics, morality, or resilience.

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