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Fashion, Culture, and Identity
What do our clothes say about who we are or who we think we are?How does the way we dress communicate messages about our identity?Is the desire to be "in fashion" universal, or is it unique to Western culture?How do fashions change? These are just a few of the intriguing questions Fred Davis sets out to answer in this provocative look at what we do with our clothes--and what they can do to us.Much of what we assume to be individual preference, Davis shows, really reflects deeper social and cultural forces.Ours is an ambivalent social world, characterized by tensions over gender roles, social status, and the expression of sexuality.Predicting what people will wear becomes a risky gamble when the link between private self and public persona can be so unstable.
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Pixel Flesh : How Toxic Beauty Culture Harms Women
SHORTLISTED FOR THE NERO BOOK AWARDS 'A brilliant clarion call for better' GINA MARTIN'A must read' ROXIE NAFOUSI'An essential mirror reflecting the profound impact of beauty culture on our lives' CHLOÉ COOPER JONESA generation defining exposé of toxic beauty culture and the realities of coming of age onlineWe are living in a new age of beauty.With advancements in cosmetic surgery, augmented reality face filters, photo editing apps, and exposure to more images than ever, we have the ability to craft a version of ourselves that we want everyone to see.We pinch, pull, squeeze, tweeze, smooth and slice ourselves beyond recognition.But is our beauty culture truly empowering? Are we really in control?In Pixel Flesh, Ellen Atlanta holds a mirror up to our modern beauty ideal and the harm it is doing to women all around the world.Weaving in her own personal story with those of other women, she reconfigures our obsession with the cult of beauty and explores the realities of living in a digitally obsessed world where the pressure to present yourself both virtually and in person is all-consuming. Providing an eye-opening account of the realities young women face under a dominant industry, Pixel Flesh unmasks the absurdities of the dystopia we find ourselves living in.Both a rallying cry and a refusal to suffer in silence, this is the defining book on what it feels like to exist as a woman today.
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The Nameplate : Jewelry, Culture, and Identity
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Culture
One of our most brilliant minds offers a sweeping intellectual history that argues for the reclamation of culture’s value Culture is a defining aspect of what it means to be human.Defining culture and pinpointing its role in our lives is not, however, so straightforward.Terry Eagleton, one of our foremost literary and cultural critics, is uniquely poised to take on the challenge.In this keenly analytical and acerbically funny book, he explores how culture and our conceptualizations of it have evolved over the last two centuries—from rarified sphere to humble practices, and from a bulwark against industrialism’s encroaches to present-day capitalism’s most profitable export.Ranging over art and literature as well as philosophy and anthropology, and major but somewhat "unfashionable" thinkers like Johann Gottfried Herder and Edmund Burke as well as T.S. Eliot, Matthew Arnold, Raymond Williams, and Oscar Wilde, Eagleton provides a cogent overview of culture set firmly in its historical and theoretical contexts, illuminating its collusion with colonialism, nationalism, the decline of religion, and the rise of and rule over the "uncultured" masses.Eagleton also examines culture today, lambasting the commodification and co-option of a force that, properly understood, is a vital means for us to cultivate and enrich our social lives, and can even provide the impetus to transform civil society.
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What does fashion have to do with culture?
Fashion is closely tied to culture as it reflects the values, beliefs, and traditions of a society. Different cultures have their own unique styles, materials, and clothing traditions that are influenced by their history, climate, and social norms. Fashion also plays a role in expressing individual and collective identity within a culture, and can be a form of artistic expression and communication. Additionally, fashion can be a way to showcase and preserve cultural heritage, as traditional clothing and designs are often passed down through generations.
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What are event culture and time culture?
Event culture refers to the way in which events, such as festivals, concerts, and sporting events, shape and influence a society's values, beliefs, and behaviors. Time culture, on the other hand, refers to the way in which a society perceives and organizes time, including concepts of punctuality, scheduling, and the pace of life. Both event culture and time culture play a significant role in shaping social interactions, traditions, and overall societal norms.
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Which culture is the best culture in the world?
It is not appropriate to label any one culture as the "best" in the world as every culture has its own unique strengths and values. Each culture contributes to the diversity and richness of the world, and it is important to respect and appreciate the differences among them. Instead of comparing cultures, it is more valuable to learn from and celebrate the diversity of cultures around the world.
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Why is Turkish culture often confused with Arab culture?
Turkish culture is often confused with Arab culture due to several factors. Firstly, both cultures are located in the Middle East and share some similarities in language, religion, and traditional customs. Additionally, there is a historical connection between the two regions through the Ottoman Empire, which had a significant influence on Arab countries. Furthermore, the media and popular culture often portray a homogenized view of the Middle East, leading to misconceptions and generalizations about the diverse cultures within the region. However, it is important to recognize and appreciate the distinct differences and unique aspects of Turkish and Arab cultures.
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Fashion, Popular Culture and Political Economy
This book delves into the intricate interplay of political, economic, and philosophic forces that have shaped popular culture, fashion, social movements and societies.Exploring the developments of the twentieth century and the transition into the new millennium, this work traces the causality between culture, fashion, philosophical discourses, and political economy.It analyses political-economic and philosophical factors to demonstrate how fashion emerges as a pivotal force that guides and shapes post-modern democratic societies and market economies. The volume weaves together insights from sociology, cultural studies, feminist studies, fashion history, cinematography, media, entertainment industry, and social policy research.It examines how postmodern societies shaped by post-structuralist critique and neo-liberal ideologies, navigates the complexities of democracy and market economies, evolving from deeply entrenched systems of colonialism and feudalism to achieve modernization and massive technological progress and reach a social reality of postmodernist paradigms. Topical and lucid, this invigorating work shows how fashion leads to social engineering.It will be of interest to scholars and researchers of fashion studies, popular culture, cultural studies, sociology, gender studies, political economy and political studies.This book also provides valuable perspectives for policymakers, film critics, women's rights groups, social policy researchers, film censor boards, and journalists.
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Fashion, Popular Culture and Political Economy
This book delves into the intricate interplay of political, economic, and philosophic forces that have shaped popular culture, fashion, social movements and societies.Exploring the developments of the twentieth century and the transition into the new millennium, this work traces the causality between culture, fashion, philosophical discourses, and political economy.It analyses political-economic and philosophical factors to demonstrate how fashion emerges as a pivotal force that guides and shapes post-modern democratic societies and market economies. The volume weaves together insights from sociology, cultural studies, feminist studies, fashion history, cinematography, media, entertainment industry, and social policy research.It examines how postmodern societies shaped by post-structuralist critique and neo-liberal ideologies, navigates the complexities of democracy and market economies, evolving from deeply entrenched systems of colonialism and feudalism to achieve modernization and massive technological progress and reach a social reality of postmodernist paradigms. Topical and lucid, this invigorating work shows how fashion leads to social engineering.It will be of interest to scholars and researchers of fashion studies, popular culture, cultural studies, sociology, gender studies, political economy and political studies.This book also provides valuable perspectives for policymakers, film critics, women's rights groups, social policy researchers, film censor boards, and journalists.
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Fashion and Masculinities in Popular Culture
Popular culture in the latter half of the twentieth century precipitated a decisive change in style and body image.Postwar film, television, radio shows, pulp fiction and comics placed heroic types firmly within public consciousness.This book concentrates on these heroic male types as they have evolved from the postwar era and their relationship to fashion to the present day.As well as demonstrating the role of male icons in contemporary society, this book’s originality also lies in showing the many gender slippages that these icons help to effect or expose.It is by exploring the somewhat inviolate types accorded to contemporary masculinity that we see the very fragility of a stable or rounded male identity.
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Communicating Fashion : Clothing, Culture, and Media
Winner of the John G. Cawelti Award for Best Textbook / PrimerHow did you decide what to wear today?Did you base your selection on comfort or style? Did you want to blend in or stand out — or was it just the cleanest outfit available?We each make these decisions every day, reflecting how we view ourselves and impacting how others see us.Our choices matter — not just to us personally, but also to the magazine editors, brand ambassadors and trend forecasters who make a living by selling to us.Communicating Fashion introduces key concepts from the intersecting worlds of fashion and communication studies to connect how we all use clothing to express ourselves and how media systems support that process.In doing so, Myles Ethan Lascity explores social, cultural and ethical issues through the work of fashion journalism, brand promotions and the growing role of online influencers as well as the impact of film, television and art on self-image and expression. Key topics:- Advertising, Branding and Fashion Retail- Clothing, Art and Cultural Significance- Clothing as Group and Cultural Norms- Clothing, Identity and Interpersonal Communication- Fashion News and Tastemaking- Fashion, Social Media and Influencers- Meaning within the Fashion System- On-screen Clothing
Price: 25.99 £ | Shipping*: 3.99 £
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Is culture important?
Yes, culture is important because it shapes our identity, beliefs, values, and behaviors. It provides a sense of belonging and connection to others within a community. Culture also influences how we communicate, express ourselves, and understand the world around us. Embracing and respecting different cultures can lead to greater understanding, empathy, and cooperation among diverse groups of people.
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What is the difference between historical culture and memory culture?
Historical culture refers to the collective understanding and interpretation of historical events, traditions, and customs within a society. It encompasses the tangible and intangible aspects of a society's past, including artifacts, monuments, and rituals. Memory culture, on the other hand, focuses on the ways in which a society actively engages with and remembers its history. It involves the processes of commemoration, memorialization, and the transmission of historical knowledge through storytelling, education, and public discourse. While historical culture is the broader framework of a society's historical identity, memory culture is the active, dynamic practice of remembering and interpreting that history.
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Do you consider German culture to be a good culture?
As an AI language model, I don't have personal opinions. However, German culture is rich in history, art, music, and literature. It has made significant contributions to the world in various fields, and its emphasis on efficiency, punctuality, and quality is widely respected. Additionally, Germany's commitment to environmental sustainability and social welfare is commendable. However, like any culture, it also has its complexities and challenges. Ultimately, whether one considers German culture to be "good" is subjective and depends on individual perspectives and experiences.
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Does globalization destroy culture?
Globalization can have both positive and negative impacts on culture. On one hand, it can lead to the spread of ideas, values, and traditions across borders, promoting cultural exchange and understanding. However, it can also result in the homogenization of cultures, as Western ideals and consumerism become dominant, potentially eroding local traditions and identities. Ultimately, the impact of globalization on culture depends on how it is managed and whether efforts are made to preserve and celebrate diverse cultural expressions.
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